Sunday, April 24, 2011
Friday, April 1, 2011
"Ryan McGinley
New Jersey-born Ryan McGinley studied graphic design at New York's Parsons School of Visual Arts. In 1999 he sent 100 magazine editors and artists he admired a 50-page book of photographs he had produced on his desktop computer entitled The Kids Are Alright. The book consisted of exuberantly bacchanalian images of his friends in New York City. In these images, fellow artists like Hannah Liden, Dan Colen, Dash Snow and Emily Sundblad masturbate, roll joints, tag walls, and scamper naked in the woods. Like Nan Goldin and Larry Clark, McGinley shot intimate portraits of friends far on the margins of social acceptability. But the humanity and poetry of his predecessors' work came from the pathos, pain and gallows-humor in their images, whereas the grittiness in McGinley's photographs glowed with the exuberant bliss of being young, hot and acting out. The day that Index magazine received the book, they called McGinley to fly to Berlin and shoot for editorial.
In 2003, McGinley was the youngest artist (at age 26) to exhibit for a solo show in the Whitney Museum of Art. The tone of the 20 large-scale color prints presented in the show, as part of the Whitney's 'First Exposure' series showcasing emerging photographers, was described by Holland Cotter in a New York Times review as 'relaxed and playful, as if the world were on recess'. In an art world and mass culture pathologically obsessed with youth, McGinley's well-crafted and carefully selected images actually did what photography claims to do - they captured fleeting moments. His models were not professional kids paid to produce some simulacrum of youthful cool. Instead, they were actually members of that blessed demographic, and so was he."
New Jersey-born Ryan McGinley studied graphic design at New York's Parsons School of Visual Arts. In 1999 he sent 100 magazine editors and artists he admired a 50-page book of photographs he had produced on his desktop computer entitled The Kids Are Alright. The book consisted of exuberantly bacchanalian images of his friends in New York City. In these images, fellow artists like Hannah Liden, Dan Colen, Dash Snow and Emily Sundblad masturbate, roll joints, tag walls, and scamper naked in the woods. Like Nan Goldin and Larry Clark, McGinley shot intimate portraits of friends far on the margins of social acceptability. But the humanity and poetry of his predecessors' work came from the pathos, pain and gallows-humor in their images, whereas the grittiness in McGinley's photographs glowed with the exuberant bliss of being young, hot and acting out. The day that Index magazine received the book, they called McGinley to fly to Berlin and shoot for editorial.
In 2003, McGinley was the youngest artist (at age 26) to exhibit for a solo show in the Whitney Museum of Art. The tone of the 20 large-scale color prints presented in the show, as part of the Whitney's 'First Exposure' series showcasing emerging photographers, was described by Holland Cotter in a New York Times review as 'relaxed and playful, as if the world were on recess'. In an art world and mass culture pathologically obsessed with youth, McGinley's well-crafted and carefully selected images actually did what photography claims to do - they captured fleeting moments. His models were not professional kids paid to produce some simulacrum of youthful cool. Instead, they were actually members of that blessed demographic, and so was he."
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